Privatising Culture subject-middle-east He identifies a “global style”
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Privatising Culture subject middle east He identifies a “global style” He identifies a “global style” of architecture—as practiced by Norman Foster and anarchists and shows how corporations have succeeded in integrating themselves into the infrastructure of the art world itself by showcasing contemporary art in their own corporate premises highlighting the ways in which ‘cultural capital’ can be garnered by various social and business ‘elites’ through commercial involvement in the arts
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